SKI END
The New York Times: Review: ‘Ski End’ Recalls Fun on the Slopes With Nostalgia, Elisabeth Vincentelli, May 5, 2017 (appeared in print in Sunday Arts & Leisure section on May 7).
"...dispenses, almost offhandedly, acute observations about a society in which impermanence passes for progress."
"sweet, eccentric charm"
PopDust: , Review: 'Ski End', a modern-day answer to Ionesco, Thomas Burns Scully, May 3, 2017
"the most unique theatrical experience you are likely to have this week."
The Reviews Hub, Ski End, Carrie Lee O'Dell, May 19, 2017
"moments of tremendous beauty and humanity"
"visually striking"
"thoughtful" and "imaginiaive"
HAND FOOT FIZZLE FACE
The New York Times: ‘Hand Foot Fizzle Face' Digs Into an Odd Collaboration Between Beckett and Jasper Johns, Melena Ryzik, June 11, 2015 (appeared in print in Sunday Arts & Leisure section on June 14).
The New York Times: Review: ‘Hand Foot Fizzle Face’ Explores Futility and Disconnection, Alexis Soloski, June 22, 2015 (appeared in print on June 23).
"...moments of unexpected beauty and others of gratifying weirdness."
Flavorwire: Staff Picks: Knausgaard, ‘The Magicians,” and ‘Hand Foot Fizzle Face,’ Moze Halperin, July 1, 2015.
"The performances here are exquisite…”
NY Theater Now: ‘Hand Foot Fizzle Face,’ Mitchell Conway, July 7, 2015.
"original and timely (even urgent)..."
"totally disorienting and beautiful and haunting.”
"Director Tara Ahmadinejad demonstrated an impeccable control of rhythm throughout the piece, executed by a fantastic team of actors.” "superb work from Piehole, this thoughtful work is an indication they are a company to keep a look out for."
OLD PAPER HOUSES
Ask a Director: Tara Ahmadinejad, interview by Hannah Wolf, February 3, 2015.
Theatre Development Fund profile: Can We Put a Perfect World Onstage? by Eliza Bent, March 5, 2015.
The Village Voice: ‘Old Paper Houses’ and the Human Susceptibility to Utopia’s Promise, Miriam Felton-Dansky, March 11, 2015.
“brims with poignant silliness…”
“does its part to create community right where it is.”
The New York Times: Review: ‘Ski End’ Recalls Fun on the Slopes With Nostalgia, Elisabeth Vincentelli, May 5, 2017 (appeared in print in Sunday Arts & Leisure section on May 7).
"...dispenses, almost offhandedly, acute observations about a society in which impermanence passes for progress."
"sweet, eccentric charm"
PopDust: , Review: 'Ski End', a modern-day answer to Ionesco, Thomas Burns Scully, May 3, 2017
"the most unique theatrical experience you are likely to have this week."
The Reviews Hub, Ski End, Carrie Lee O'Dell, May 19, 2017
"moments of tremendous beauty and humanity"
"visually striking"
"thoughtful" and "imaginiaive"
HAND FOOT FIZZLE FACE
The New York Times: ‘Hand Foot Fizzle Face' Digs Into an Odd Collaboration Between Beckett and Jasper Johns, Melena Ryzik, June 11, 2015 (appeared in print in Sunday Arts & Leisure section on June 14).
The New York Times: Review: ‘Hand Foot Fizzle Face’ Explores Futility and Disconnection, Alexis Soloski, June 22, 2015 (appeared in print on June 23).
"...moments of unexpected beauty and others of gratifying weirdness."
Flavorwire: Staff Picks: Knausgaard, ‘The Magicians,” and ‘Hand Foot Fizzle Face,’ Moze Halperin, July 1, 2015.
"The performances here are exquisite…”
NY Theater Now: ‘Hand Foot Fizzle Face,’ Mitchell Conway, July 7, 2015.
"original and timely (even urgent)..."
"totally disorienting and beautiful and haunting.”
"Director Tara Ahmadinejad demonstrated an impeccable control of rhythm throughout the piece, executed by a fantastic team of actors.” "superb work from Piehole, this thoughtful work is an indication they are a company to keep a look out for."
OLD PAPER HOUSES
Ask a Director: Tara Ahmadinejad, interview by Hannah Wolf, February 3, 2015.
Theatre Development Fund profile: Can We Put a Perfect World Onstage? by Eliza Bent, March 5, 2015.
The Village Voice: ‘Old Paper Houses’ and the Human Susceptibility to Utopia’s Promise, Miriam Felton-Dansky, March 11, 2015.
“brims with poignant silliness…”
“does its part to create community right where it is.”
